Oct 23, 2019
Welcome back Auto Italiana
May 9, 2020
The TED Formula
The temptation to design cars is quite frequent among famous architects but has never really led to anything extraordinary. Why is that? Because cars are very different to buildings and you have to be very specialized to make one successfully (there are many architects among car designers, but they make cars and not buildings). In last year’s TCCT yearbook, The Key 2019, we published a wonderful story by an architect who is also a car designer, Roberto Giolito, the man who created today’s 500 and the Fiat Multipla, about the car designed by the legendary Gio Ponti. So many ideas, and admiration, but nothing ever produced.
The 1:1 scale wooden model of the car idea by the most famous: Le Corbusier. We are in the 1930s and the vision was one of an economical and functional car for everyone. It would inspire the Citroën 2CV.
The story is similar for Walter Gropius, founder of the Bauhaus School, with his attempt at the Adler Standard 6 and Buckminster Fuller with his three-wheeled Dymaxion from 1933. We should also mention the most famous, Le Corbusier, who in the 1930s sketched a very functional car which, many years later, the Italian Flaminio Bertoni would use to create the Citroën 2CV. Even Frank Lloyd Wright tried to make a Lincoln Continental, but his flair only made it slightly more extravagant and very little else.
The first 2CV, designed by Flaminio Bertoni and presented in 1939, is clearly inspired by le Corbusier’s sketches.
But why is that? Perhaps it’s because of the different approach towards a job that’s not your own. All architects, think of Mario Bellini’s Kar-a-Sutra, want to bring something new to the car world without considering, as our story about aerodynamics published on Monday shows, that the car is a very conservative product. One look at the lack of courage shown in today’s all-too-similar designs should be enough to illustrate this point. Perhaps today, on the eve of what could very well be a return to normality in a world we will find profoundly changed, there will be room for those with innovative ideas. Come on architects!
It’s called DYnamic MAXimum tensION, the original minivan by the American architect, designer and philosopher Richard Buckminster Fuller. We are in the very early 1930s and the dream of the automobile began to see a future for itself.
The Lincoln Continental reinterpreted by Frank Lloyd Wright’s genius looks like a villa with a garden.
It’s hard to think that the genius of Gropius, creator of the Bauhaus School, was so moderately used in the creation of this 1926 Adler Standard 6. An interpretation: classical rationality is better than too much innovation for a car in the 1920s.
There are so many ideas offered by the Linea Diamante created by the great Gio Ponti for a family car from the early 1950s. Sharp edges, large glazed surfaces, maximum use of space, all-round protective bumpers were all widely adopted by the car industry over the following years.
If the moment we are living in is one of change, in 1971, the architect Bellini, with this vehicle made of space and light and designed for the well-being of those on board, managed to look very, very far into the future.
CLASSIC CAR MATCHER