Photo credit: Lamborghini, Wheelsage
To prepare the model that was to replace the Urraco, Bertone presented a prototype at the 1974 Turin Motor Show that had already been secretly tested in Sant’Agata, based on the same mechanics and the Urraco’s V8: the Bravo. It was a true masterpiece of style, born from the great creativity of Marcello Gandini, who focused on clean and simple lines, where the proportions themselves give it its breathtaking beauty.
Among the many striking details, the horizontal line that cuts through it, giving it momentum, the very geometric slats that perforate both the front and rear bonnets — turning the air intakes into a harmonious design that lightens the whole — and the rigorously flush-mounted glass panels that create a wrap-around effect, all combine to make it an authentic object of desire.
Unfortunately, however, these were difficult years for Lamborghini due to the departure of its founder Ferruccio and the subsequent oil crisis, which dealt a harsh blow to the international car market. Additionally, a period of labor unrest forced the new owners to make painful decisions, and the Bravo — despite its warm reception — remained a prototype that still exists today.
Like many other show cars of the time, the Bravo was repainted early in its life. Its original light metallic yellow was replaced with a darker shade of green before finally being finished in pearlescent white. For years, it remained in Bertone’s private museum before being sold to its current owner, Swiss collector Albert Spiess, for €588,000 ($665,500) at the RM Sotheby’s auction at Villa d’Este in 2011.
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